Welcome to Profundity

Welcome to Profundity
Photos and thoughts from my travels

Monday, November 14, 2011

A sunset can mean many different things.

As the final assignment in class draws to a close, I am reminded of a sunset.  It can seem an ending, or the invitation of a new day to come. Hawaii is a place where a person can enjoy both, just by crossing to the other side of the island at the right time. 


Location does not matter as long as a person can witness what is here for all of us to appreciate.  Remembering tomorrow will be a new day and having such beauty to end the day with makes every day seem a little better.



Even a cloudy day can be beautiful when it is viewed from the right perspective.  Thirteen thousand feet is a tough hike but getting to the heights of where we can go is worth the effort when we see the clouds below us. 

Sunday, November 13, 2011

Media writing and Kagura.

      Media writing presents a good opportunity to show ones appreciation of an event.  Going to an event in another country can open a person up to unimagined marvels.  Visiting a country and getting off the beaten path that most tourists stay in can give a whole new perspective on art, history, and much more.  This paper from a communications class reflects on one of these treats.
Beyond the Beaten Path: Kagura
      We are going to take you to the Matsuri to see Kagura was all that was said.  I had no idea what was in store for me, but my friends had shown me many things that had begun to awaken a sense of connection in my subconscious.  What was this Matsuri I was going to and who was Kagura?  A deep excitement told me to forget the years of logic my upbringing in the United States had taught me and listen to the skip in my heart.  Matsuri is a festival and instead of a who, the Kagura is a what; I was to be given the honor of witnessing an ancient dance tradition in a remote mountain village!
            The mid-September day we made the trek to Jakuchi was a gleaming jewel to behold. How fitting to witness a dance with the origin of luring Amaterasu Omikami, the ancient sun goddess, out of hiding in her cave.   Splashes of crimson and gold broke the emerald green mountains as we wound our way up the serpentine road along the river. The huddled houses along the way boasted the beautiful tiles that glisten like the scales of some mighty dragon resting in the sun and whisper of a hidden permanence that is missing in my home country; the buildings may vanish, but the memory and tradition would remain.  Upon arriving at our destination, we had time to walk to nearby Ryuzu falls before Kagura started. 
            Walking past a lower falls, a subtle curiosity is the lack of garbage.  In the US, there would be cigarette butts and other discarded items on the ground.   That sort of behavior would be shameful here and the people would not dishonor themselves by leaving their refuse. The tranquility is preserved for all within this collectivist society.  Hiking toward the falls, Chris spotted a single water bottle, the only sign of human trespass, in the river far below.  It was a steep climb off the trail, but over he went.  Leaving the trail is not expected behavior and people watched curiously as he made his descent.  When he pulled the bottle from the river and stood up, the crowd applauded, almost as if he had rescued an infant from a burning building.  Things were once again as they should be and the hike continued.  Already the mist was thickening the air, rising from the verdant cauldron below the falls. It was a perfume to entice ancient gods to visit this place, as if it was put here just for their comfort.
            Seeing what the other senses were already aware of confirms this is a real place and not a hallucination.  Jakuchi is the perfect place for a dance to entertain the gods, for if they are around, they would come to Ryuzu falls to drink.  The plunge of the water, the feel in the chest as it showers the basin below, the smell, the sound,  the pristine setting, all combined to create something that is more of a feeling than any one sense could ever hope to perceive.  Shinto, Japan’s indigenous religion, undoubtedly recognized this place for what it is: sacred.  The hike to Ryuzu falls set the proper mood to appreciate the Kagura.
            Back in the village, the crowd gathered in front of the outdoor stage.  The electric feel of anticipation filled the air as the music began to weave a spell over the eager crowd.  The hero came onto the stage in a costume that could have existed centuries ago and brought timelessness with him.  Becoming lost in the moment is easy as the Hayashikata play their haunting tune on ancient instruments from offstage and the Maikata move in slow, deliberate motions that reflect the centuries of discipline behind this art. Even with the influence of the Edo period, there is an echo of Japan’s very roots evident onstage, reaching forward from a forgotten time.  The story progresses, the tempo builds and the tale of the serpents that were devouring the youth of the village unfolds.
            The rise and fall of the music and the colors of the costume were no accident.  The colors carried all the hues of the forest around and there is a symbolic meaning in everything.  On the surface was a show to entertain the masses, but the complexity woven with the colors and music made it so much more. The strength and mass of each serpent was magnified by the forest behind as the hero faced off against his magnificent foe.  The stillness in the air magnified the gravity of the situation as if the very maples who shared the serpent’s hues dared not tremble, not wanting the hero to turn on them next.  One after another the Serpents stood against the hero, only to die with the flash of his fearsome blade.
            The hero, hunting the serpents, was not only battling against the curse on the village that kept claiming their youth, but fighting the very death of the seasons at this Matsuri, or fall festival.  The red, orange, and green serpents were but reflections of the trees that witnessed this show.  The hero fought, until all of the serpents were gone, all color was gone.
            Now comes the peace of winter.  The music winds down in the background as the Kagura ends.  The tremendous crowd dispersed and not a scrap of paper or hint of what took place was left to mar the landscape. It is as if this was but a dream and people were allowed to watch a show in the theater of the ancient gods.  Learning what the Kagura truly is means discovering the deep meaning is different for everyone who watches it; what will it mean to you?
             
References
Goldberger, P. (2011, April). Miracle above Manhattan. National Geographic, 123-137.
Groemer, G. (2010). Sacred dance at Sensoji: The development of a tradition. Asian Ethnology, 69(2), 265-292. Retrieved from http://proquest.umi.com/pqdweb?did=2249001971&sid=1&Fmt=6&clientId=74379&RQT=309&VName=PQD
Kárpáti, J. (2008). Typology of musical structures in the Japanese Shintô ritual Kagura. Asian Music, 39(2), 152-166, 202. Retrieved from http://proquest.umi.com/pqdweb?did=1547407841&sid=1&Fmt=4&clientId=74379&RQT=309&VName=PQD
What is Kagura. (n.d.). Kids web Japan. Retrieved from Ministry of foreign affairs of Japan website: http://web-japan.org/kidsweb/meet/kagura/kagura01.html
Yamasaki, C., & Yamasaki, T. (2008). Conversations with Japanese host. Private conversations presented on the September trip to the Matsuri in a rural mountain village, Jakuchi, Yamaguchi prefecture, Japan.


Saturday, November 12, 2011

Sorting it out: Laptops

I have never been one to not say something contrary to common opinion about many things, technology included.  Devoting the past several decades to working on technology, I have seen much evolve.  Sometimes de-evolving is also visible as long as people don't close their minds regarding new technology, companies and people in general. When we open up to new people and new ideas, we could very well be bringing a new channel of happiness into our lives. 
Sorting It Out: Lapotops

            There is probably no single piece of technology that has a greater impact on the average household than the computer that is brought in to connect to the world.  Modern society uses it for communication, banking, shopping and entertainment, regularly.  Education has worked its way onto the computer so that it is now possible for people to get a degree from a college across the country, as long as they have good access and can meet the work requirements.  There are times where the household computer just does not meet the mobility demands of the modern person and the smaller, more portable version becomes necessary to maintain the vital link to the network that has become such a vital part of so many lives.  The choice of the correct laptop can make the difference between survival and network death, so it is important to narrow down the field by choosing the features that are the best match to the consumer
            A good starting point is to look at the general form of laptop.  Putting them into the category of laptop, netbooks, and tablets divides them into groups that allow the user to pick a few basic features.  “Laptop computer” on Amazon produces, with a partition checked of “over $200”, a mere 18,000 choices (Amazon.com [1], 2011).  Looking at every one could take a little bit of time.  Most of these are the larger format, which usually weigh from 6 pounds up.  The average brick weighs just shy of 6 pounds (2.7kg) (TradeIndia.com).  This seems like something rather unpleasant to carry around on a regular basis.  Another issue is operating system.  Most computers these days appear to ship infected with the Windows 7 operating system.  Like Mojave, it is still Vista.  This is not exactly a motivation to buy it to anyone who has spent hours trying to find nonexistent drivers for something common,  such as a Canon 20D camera, which was supported on the XP operating system.   There is nothing quite like purchasing a really expensive computer and making it further resemble the brick it feels like by adding an operating system that can render the thing useless at a whim.  Dumping Microsoft’s latest insult on the consumer is a good start at making a very expensive brick. “Linux Netbook” is a search criterion that limits the size and operating system.
            Having sorted through the tens of thousands of returns from the search, it is now possible to pick a few likely candidates out of the “Linux netbook” category.   Eliminating refurbished also drops the numbers.  The Mini 1120NR, Starling edubook, Hoverboard x30,  and Lenovo fell into the search criteria.  It now becomes necessary to partition the machines further.  The Lenovo, at 15 inches, seemed too good to be true (Amazon.com [2], 2011). Despite the search criteria, it was an attempt by the Microsoft virus that obviously infests everything to sneak one of theirs under the radar for consideration.  The partition it belongs in, from a weight perspective of one and a half bricks (nine pounds) plus the OS partition, Windows7 virus infestation it ships with clearly eliminates it.  This leaves three interesting units to look at and consider.          
            Since “partitions deal with one thing only”, computers have been passed through two partitions: one weight and the other operating system (Lannon, 2008, p. 167).  Classification, or” using an assortment of things” to further categorize the machines can begin with the processor, ram, price and specific Linux operating system (Lannon, 2008, p. 167).  The Mini has to be eliminated as it has an HP unique version of Linux instead of a true open source OS (Amazon.com [3], 2011).  The general features on the Edubook and Hoverboard put them into the same category in most cases.  There is only a third of a pound weight difference, but the Hoverboard has a screen that is three inches bigger (Zareason, inc., 2011).  The trade off is the Edubook comes loaded with software on top of the Ubuntu OS, which they both share, and is three hundred dollars less (System76 inc).  Both have a VGA port, so when using at home the ability to use a monitor eliminates the apparent size advantage of the Hoverboard; A choice can be made based on price. 
            It is interesting to find that by first partitioning portable computers a couple of times it became possible to narrow the choices from tens of thousands down to a manageable handful. Categorization based on important features made it possible to logically sort through the remainder and come up with a machine that fills a need based on a logical choice rather than an emotional reaction.  The Hoverboard was the prettier of the two with the larger monitor and though the weight was negligible for the size, there was an ugly duckling that seems a better match.    It would appear the Edubook is the best match to determine if Linux can replace the lifeline to the internet in a Microsoft owned world.









References
Amazon.com [1]. (2011). Electronics, Computers & Accessories, “laptop computer”. In Amazon.com. Retrieved January 16, 2011, from http://www.amazon.com/‌gp/‌search/‌ref=sr_kk_1?rh=i%3Acomputers%2Ck%3Alaptop+computer&keywords=laptop+computer&ie=UTF8&qid=1295205256#/‌ref=sr_nr_p_36_4?rh=n%3A172282%2Cn%3A%21493964%2Cn%3A541966%2Ck%3Alaptop+computer%2Cp_36%3A1253507011&bbn=541966&keywords=l
Amazon.com [2]. (2011). Electronics, Computers & Accessories, “laptop computer”. In Amazon.com. Retrieved January 16, 2011, from http://www.amazon.com/‌Lenovo-15-4-Inch-Laptop-Black-Matte/‌dp/‌B0032ALW5M/‌ref=sr_1_20?s=pc&ie=UTF8&qid=1295163775&sr=1-20
Amazon.com [3]. (2011). Electronics, Computers & Accessories, “laptop computer”. In Amazon.com. Retrieved January 16, 2011, from http://www.amazon.com/‌HP-NB135UA-ABA-Mini-1120NR/‌dp/‌B001P9RDVO/‌ref=sr_1_4?s=electronics&ie=UTF8&qid=1295167663&sr=1-4
Lannon, J. M. (2008). Technical Communication (Custom ed.). New York, NY: Longman.
System76 Inc. (n.d.). System76. Retrieved January 15, 2011, from http://www.system76.com/‌product_info.php?cPath=28&products_id=103
TradeIndia.com. (n.d.). Clay Brick. In TradeIndia.com. Retrieved January 15, 2011, from http://www.tradeindia.com/‌fp97773/‌Clay-Brick.html
Zareason, inc. (2011). Zareason. Retrieved January 15, 2011, from http://zareason.com/‌shop/‌Hoverboard-X30.html

Wednesday, November 9, 2011

Who demonstrates patience?

People look at these pictures and some comment how patient I must be to take some of the pictures.  I am nothing but the person fumbling around changing lenses in an attempt to share what is there for all of us to enjoy.  The patience is on the part of the subject, who allows me to take the picture.  In life, we need to remember that others are patient with us at times and pass on the tolerance. 

 

Shades of Gray

Saddle Mountain at Scott's Bluff Nebraska is best viewed in black and white.  Like many things in life what seems to be black and white is actually beautiful shades of gray combined to make something beautiful. 

Thursday, November 3, 2011

When intercultural communication fails, we get a Phoenix Story.

This paper I did for a class has been translated into Japanese by a friend and shared with many in the US and Japan.  One comment was "I always wanted to know what an American would feel visiting this place".  The ultimate failure to communicate is expressed by our greatest inhumanity to one another. 

I stood on a bridge upriver from the peace dome in Hiroshima and witnessed a black fireworks display at ground zero, where the first nuclear weapon was deployed against humans a month and many years ago.  Little did I know what this would symbolically come to represent in my own life.  In a sense, I was reborn there.  In order to be reborn though, a part of me had to die, just like the city and the multitudes in the firestorm I would try to fathom from 1945.
  Hiroshima was just supposed to be a day trip on my visit with friends in a nearby town; instead it became much more.  As a former sailor, I felt an obligation to go there as I had been to Pearl Harbor many times and sailed past the USS Arizona, which is symbolic of America’s entry into the war with Japan.  I thought Hiroshima would be the logical place to visit to balance some cosmic sense of fairness from how I had been led to view Pearl Harbor.  I was not prepared for the reality of the situation, to say the least.
            Having stayed in a traditional town that would have been similar to Hiroshima the day the bomb was dropped, it became easy to see how people would have lived. Beginning the day with laughing uniformed children walking to class in small groups and ending after the evening meal with a walk through the narrow, winding streets, with the velvety musk from the sewers laying lightly on the evening air, a voice in song accompanies the faint clinking of dishes as the evening chores are done; the time and place could be here and now, or a distant time outside my own grandmothers kitchen in the United States; timeless and placeless, I could be anywhere.  Like me, soldiers, sailors and samurai have historically joined the military knowing there is a certain risk of life associated with the service to ones country, but here I perceived a great difference. 
Hiroshima was a civilian town of women and children, not a military target of war-machines like Pearl Harbor.  Going through the peace museum, there was a before and after model of the town.  It was eerily similar to the village I had been staying in. A child’s lunchbox, recovered from the aftermath, hit me harder than a mugger slipping silently from an alley with a steel pipe. The lunch, so carefully packed for a child who never had the opportunity to enjoy it, was still waiting, untouched, as the owner was burned to ash at ground zero. I could only imagine the child clinging desperately to the box, a gift from his long dead father, as he flew though the air, his clothing, then his flesh, burning from his little body.  He lets out a silent agonizing scream for his mother as he becomes nothing more than ash blowing through the burning husks of shattered buildings.  This lonely, uneaten meal was the only monument to acknowledge his very existence.  I staggered, and if not for a stranger to steady me, would have been a new exhibit of an entirely different nature lying on the floor of the museum. After I left, I had to figure out the true magnitude of what we did in this place.
            I walked the miles across the zone of destruction, comparing it to the barren topography of the photos I had copied. I walked beyond my feet blistering and bleeding, I could not comprehend the very scale of what was done to the people here.   I went to Kyoto and visited many places, but everywhere I went Hiroshima was there as well, haunting me as if the tens of thousands of dead held me personally responsible for their slaughter. I went to the oldest Zen temple and prayed for guidance. The answer that was presented weighed on my soul like a death sentence; I had to go back to Hiroshima and face mortality on a scale that is unimaginable, even in my nightmares.
 I walked past the places where the hundreds of schoolchildren had died on the bank of the river where they ran looking for water to quell their terrible pain, burned to death. I walked along the river that, were it filled with the tears of all who had died needlessly, would surely overflow its banks and sweep me away.  Kazuki, a Japanese friend from a nearby town with whom I practiced English, came to meet me along the river and I asked him to show me one thing in this city that survived or I cannot be redeemed. I had died at this point, drowned in my own past pride and self-righteous ideology.   We went to Shukkien, the oldest park in Hiroshima.  One of the groundskeepers showed us around.  Miraculously, not everything was killed.
In the middle of all of the destruction, two ancient ginkgo trees had survived.  At their base were more markers where dozens of people had been buried that died from the blast.  Rebirth and life can come even after something of this magnitude.   I looked at the park through my friend’s eyes.  The groundskeeper showed us where the people, as injured as they were, had set the stone carvings back upright in a last effort to leave behind some sense of order before they died.  They became a monument to human perseverance. 
 I saw the beauty emerge in my friend’s eyes as though it was sixty something years ago and the first flowers were blossoming among the blowing ash of the countless people that would never be recovered. I found what I needed to live again. We made our way back to the memorial as I wanted to say good bye to this haunting place.
            As I sat on a bench next to the dome where the ashes of thousands who died are interred, I took off my blood soaked shoes and socks and finally allowed myself to acknowledge the injuries to my feet. As I cut the torn skin from the bottom and heels of my feet,  Kazuki actually cried as my blood dripped into the sand in this place.  I had no more tears to cry; I had no right to cry.  There is no coming to terms with our past. We simply have to move on.  After my feet were bandaged with gauze, tape and a fresh pair of socks, Kazuki asked, “How can you go on?”
            I had worn my dog tags for twenty eight years, from the time I had entered the navy, through everything that had happened until that day, at that moment.  I took them off and walked over to the river, but did not throw them in. It would have been dishonorable to leave anything else of that nature in this place.  I died that day, just like the thousands in the blast.  Ascribed status, earned status, nothing meant anything in the face of such inhumanity: Nearly half a century of living was burned away as if the blast itself were frozen in time, hanging in the air like the fireworks I had first witnessed.  I imagine a phoenix rising from the flames of its own demise has simple thoughts and simple wants as it enters its new life. Like the phoenix, I go on because I must.   I came away clinging to only one simple desire to carry me the rest of my days: to be recognized as a human being, nothing more, nothing less.   If we all strive for this unifying goal, we can achieve peace and Hiroshima will never happen again. 



Wednesday, November 2, 2011

frosty grass

Winter has crept into the area.  It is time to migrate south.